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The mystical place of Vang Vieng….

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[show_avatar email=j.stanier@live.co.uk avatar_size=10]

 

For the first time since we have been away, our three musketeers were forced to separate due to Jo’s susceptibility to getting gigantic mosquitoes bites that were already becoming infected. You see, Laos’s main attraction for travelers is the renound ‘tubing’ which goes on in VangVieng. The VangVieng river is pretty dam scummy, and if you go tubing, you are guaranteed that any cut you have WILL get infected. Jo decided she would give it a miss to prevent further infection and/or amputation, and move on ahead of us. So, myself and Niema had little Laotian honeymoon on our hands instead.
After leaving our home in Sihanoukville, we travelled to Laos by bus from Siam Reap, where the famous and beautiful Angkor Watt resides: and if your not a temple person it is still amazing as it’s where our good friend Angelina ran around adorned in her Ms. Croft gear– yes, it was the set for Tomb Raider. The temples have huge tree’s sprouting from inside them like a the infamous Cragen from P.O.T.C, the roots look exactly like its huge tentacles, forcing their way with brute strength through the hundreds of year old rock. The heat when we were in Ankgor Watt was stifling, by 9am it was already hitting 35degrees so you can imagine how hot it was in midday. After yet another bus journey, we arrived in Laos, and were glad to have a little bit of rain and a few degrees less heat which meant that we could actually venture out in the daytime without fainting. We made the long journey to the ‘4 thousand islands’ the South most point of Laos. These islands are not surrounded by sea, but instead by the Mekong River.  Long tail boats are the only transport there from or to the mainland, most of them being carved by out of trees by families so they are literally hollowed out trunks with a motor attached and steered with a bamboo pole. The lifestyle here is extremely lazy, and there are no ATM’s or hospitals on the island, the only transport is peddle bikes or the odd motor if you are lucky enough to locate one. All the guesthouses have outside toilets, and an  abundance of hammocks hung on every available branch (for times when tiredness overtakes and your not at home).  The accommodation is around one pound a night in the Islands, which is something we hadn’t experienced since India, so it was a welcome treat! The four thousand islands were very beautiful and perfect for a bit of rehab, but there is very little to do there. We soon realized that we actually wanted to get back on the travel wagon and stop sleeping in their oh-so-appealing hammocks, so we caught a 24hour (yes TWENTY FOUR HOUR) bus up to VangVieng.
As we looked out of the steamy bus windows we saw four year old kids riding bikes three times their size, barely able to touch the peddles, with their mates balancing on any free bit of metal they could, grandparents sharing motorbikes whilst clutching umbrellas to shelter themselves from either the sun or the rain, and jeeps with cages welded to the back with sardine packed travelers handing onto the bars (vaguely resembling the child catcher from Chitty Bang Bang). Arriving in VangVieng we immediately realized what we had gotten ourselves into. There was nobody over the age of 30, everyone dressed in various coloured wife-beaters imprinted with the tubing emblem, carrying buckets, and strung with neon coloured waterproof bags to protect all prized possessions from the treacherous Mekong River.  In our first day in VangVieng two people had already died. You see you team rocks, zip wires and a lack of knowledge of the river with alcohol and it is inevitable, lots of travelers get badly hurt in the VangVieng. We were pretty scared when we heard that, but you’ve just got to make sure you don’t go too crazy, and most of all listen to the locals. If you imagine a festival, with freshwater showers, spray paint, zip wires and rope swings, great music and sunshine then that’s VangVieng. It is incredible. Everyone takes out huge rubber donuts and floats down the river, stopping at whichever bar they choose (everyone will help to pull you in), covers themselves in spray paint, partakes in copious amounts of beer bongs, and then by 8pm everything is closed and everyone is tucked up in bed. After enjoying the Oreo shakes, and bars which play endless episodes of Family Guy and Friends, munching on the Chicken, Bacon and Cheese baguettes, we had to prize ourselves away from the M50 (the local red bull substitute they put in the buckets) and go do some travelling. ‘Out of the bucket and back on the track’ like my Dad told me, so we headed his advice, and journeyed up to the beautiful and breathtaking Luang Probang.
Luang Probang is a sleepy French-style village that would be perfect for a holiday destination; it is quaint and small with tons of gorgeous boutique and markets, great street food and stunning sights. In the morning when you wake up there are Monks everywhere taking their morning strolls, street kids playing in the river and locals setting up their stalls for the daily business. If you Google Luang Probang you will probably see a photograph of the magical waterfalls there, can I just say, those photos are nothing on the real thing. Out of all the waterfalls I have seen in the past 6 months, that was definitely my favorite and the most beautiful. Streams of water pouring through the jungle into clear turquoise ponds with brilliantly placed trees for rope swings and back flips into the ice cold water. Ace.
As a whole Laos is not as touristy as Thailand, but not as backpacker filled as Vietnam, yet when we went to VangVieng we did see a glimpse of what it would turn into in a few years. It is funny how much places can change in such a short amount of time, how built up they can get. For example, we have just come back to Thailand to get our open water qualifications, and already the prices have gone up since we were here just three months ago! So now that we are all qualified Scuba divers (AHHH YEAAAHHH) off we go to Indonesia to explore the dive sites, the jungle and hopefully catch ourselves a few Orangutans!

 

 

Galeryrally 2011.. the winners are….

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After a few years off the top spot and even without their trademark Mitsubishi EVO, Garry Taylor and Mike Nolan triumphed in the Galleryrally 2011, regaining the trophy they got in our last trip to Monaco in 2008!

Check out their amazing blog at http://www.itsanevoadventure.org.je/

Garry and Mike get their trophy back!
At the winning hotel...the way we roll...

Waste

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I am a first year student, studying illustration at the Arts University College Bournemouth. Previously I studied in Falmouth on the UAL Foundation Diploma In Art & Design and before that went to Victoria College, studying Art, Design, Media and Photography. My work has been exhibited in group exhibitions in Jersey, Falmouth and Bournemouth.

This work is based on the theme ?waste? and was part of my first year studying illustration. I collaged the background with scrap material I had gathered from the past weeks, which included receipts, photos, wrapping paper, leaflets, postcards and many more items, which I would normally throw away. The white emulsion allowed me to cover certain areas of the page allowing the portrait to come through. The refined fine liner drawings contrast with the mix media background but yet keep a balance to the work.

When working I keep my style very simple and try not to over complicate the drawing. I want to create images that are bold but only use selective lines and marks to depicted the image. I don?t have any main influences in my work but my classmates always help inspire me to produce and improve my work.

Articulation

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As a surface designer currently graduating from BA (Hons)
Surface Design for Fashion and Interiors at the University of Huddersfield, my passion is create original and innovative surface concepts which originate from the advancements into new technological materials. My concept of interlocking elements have been inspired by the investigation into the natural human form and prehistoric bone formations, this has enabled me to construct large scale surface designs.

Post graduation, I aim to be a freelance surface designer and continue with researching into the technological advancements in materials.

Description of Work

Articulation

Inspired by the enormous scale and individual parts of dinosaur skeletons and the functionality of the human form.
Controlled by the movement of joints without connection and attachment to construct.

The main medium used is hard versatile materials such as medium density foam board (MDF). The material choice for the surfaces of the elements is very versatile and ranges from vinyl?s to wood veneers. This enhances the overall functionality of the piece and the aesthetics.

Previous exhibitions include Surface Design Show, London in 2009/2010/2011 and Knit and Stitch Show, Harrogate in 2010.

Cakery Fakery

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Wimbledon College of Arts – London of Arts University,
Fine Art: Print & Digital Media 3rd Year
Previous education : Foundation Art & Design at Highlands College Jersey
Previous Exabitions: La Tabacalera Madrid, 1071miles=1724km Colaborative project between madrid and london students, my project ‘Perspectives’ (this can be viewed on my website)
Tram & Social, London, Group Exhibition.

Claira?s creates a distorted realm, in which elements of reality are brought into awareness. Demanding the attention and contemplation of a subject or making a mocking example on social issues and instincts. Ridiculing issues which are often fought against or for within feminist art.

Claira approaches the idea of seduction, desire and the gaze, often playing with sinister undertones. Situating the viewer within an idea, designed at bringing out particular emotions / thoughts or evaluations. These instillations immerse each individual in a newly structured and rigidly designed aspect of reality.

Working with a combination of still and moving imagery, she presents her relationship of photography and film not as separate mediums but as mediums that can operate together responsive within a piece of art. Also distorting recognizably conventional ways of viewing film + photography, Claira creates original environments, not to view, but experience the imagery. The environment speaks at one with the imagery. The audience is not watching a film or viewing at a photograph, they are part of the work. It is the way in which they relate to the experience of the installation that is the most important aspect to Claira?s art.

?Mind? Your Daffodiles is an immersive installation painting, playing with the themes of self voyeurism, while also taking specific regard to the aesthetics of art vs audience within a gallery space. Claira designed this instillation with the intent to put the audience within a self reflective atmosphere, demanding awareness to their narcissistic attitudes to the self and their view of their self.

Cakery Fakery is a installative film, with live projections integrated within. Cakery Fakery responds to the cupcake as a metaphor, for the way in which women are represented and perceived. Evaluating the relationship to seduction and desire, Claira reflects the animalistic attitudes and uncontrolled instincts humans have, while projecting those views directly upon the viewer. By amercing them within the film with the live feed, she reflects their own gaze and desire to both cupcake and the female.
The pieces, mentioned above that i would like to present to you are still in production, however i can send you production photos of the work, as well as previous work to evaluate. This is a previous film of mine http://vimeo.com/20817581

Portraits

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Painting 1 Ballet – Oil on canvas. Painting 2 & 3 Rock Girl – Acrylic on canvas. The three paintings I am entering were from a portrait project. I wanted to get across the two girls personalities when painting them.
I am a student at highlands college, studying Foundation. I did my A levels at Hautlieu and my GCSE’s at Les Quennevais. I exhibited a portrait painting in the Hautlieu and Highlands Exhibition at Fort Regent. I also had a photograph in the Société Jersiaise competition in 2009.

The Sea, The Sea

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Growing up on the coast has deeply influenced my work in Graphic Design and Photography. Since moving away from Jersey and becoming a student at Manchester Metropolitan University after studying at Hautlieu School I have learnt how much I appreciate the sea. I miss it, and whenever I return to the water I am inspired by its boundlessness and its freedom. After completing an Art Foundation at MMU and finishing the first year of my Graphic Design degree, my style has progressed and I now incorporate photography within my work. These pieces are photos which I have taken with 120 film around the coast of Jersey expressing my nostalgia for the sea. I like to explore the idea of memory and experiment with double-exposure to create the ghost-like effect seen in my photographs. I prefer film photography to digital because I think the end results of the pictures taken have an antique and authentic quality. I also love the excitement of never quite knowing exactly what you’re going to get when processing them.

Abstracting Nature

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I have just completed my degree in Printed Textiles and Surface Pattern Design at Leeds College of Art , having previously studied Art foundation at Highlands College.

My final collection this year was based under the concept of Abstracting Nature in which I have produced a range of wallpapers and furnishing fabrics.

I am constantly inspired by natural textural forms found within the environment, from the repetitive shapes that hang from tree?s to the intrinsic network of veins found within leaves. I am intrigued by the the cycle of wild plants that arise for only a small amount of time each year. My designs aim to encapsulate the beauty of the smaller details in nature with the ultimate goal of bringing the outside in , in a new and contemporary fashion.
Drawing is part of the print process for me and it is integral to cementing the abstraction of my design; drawing is the layering, and playing with lines and shapes on the screen. I feel the most simple of shapes can come alive when the right mix of colours is used. What attracts me to colour is is ability to evoke a certain feeling. Within my designs I explore the boundaries of combining computer aided design and the artist’s hand. I am constantly striving to maintain a harmony between the two that enhance and preserve the properties of the materials that I work with. My work is all about creating a beautiful and vibrant aesthetic.
I feel this unique chance to show at the Berni Gallery will be an excellent opportunity to show case my designs a new graduate to my home town.

Gallery T shirt: 2011 edition.

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Every year we’ve produced out a limited number of Gallery tshirts. We’ve done them with out silentdisco branding, our ‘I love Jersey’ valentine shirt and our rally inspired drivers shirts. For our 2011 Tshirt we’re embracing the Zeitgeist and our Island’s love of local and producing a run of three designs; one for you Westies, one for the Easties and one for you town&country folks.

 

 

The design is inspired by the Experimental Jetset tshirt for 2K?Gingham. When they designed the shirt, the idea was to strip down the idea of a rock band to a list of four names, in an attempt to reach the of essence of a group. In a way, the shirt is very much about abstraction: the process of translating figurative images into something less figurative. There’s also an iconoclastic streak running through the shirt: the idea of puncturing through the world of images, by using text. In short, we took the idea of the most archetypical band ever (a band that has been a constant source of inspiration to us), and replaced the image with a simple list of names:

Experimental Jetset's 'Beatles' Shirt - our inspiration for 2011
Experimental Jetset's 'Beatles' Shirt - our inspiration for 2011

We’ve embraced what has become a tshirt genre in it’s own right and produced our very own, whilst embracing Jersey and it’s subdivisions. Wear your parish with pride!

Click here to get one…

 

Digital Epitaph

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Following my education at Victoria College, where my interests lay primarily in traditional portrait painting, I went on to study Fine Art at University College Falmouth. My tutors quickly spotted a spatial quality in my work and encouraged me to experiment with sculpture. Since then I haven?t looked back. I now work almost exclusively in 3D and have experimented with all sorts of materials and processes. I have become interested in the use of found objects in art; how simple, everyday forms can be loaded with cultural significance and meaning. In my work I attempt to manipulate this meaning through material processes and formal experimentation. This particular piece, entitled ?Digital Epitaph?, deals with our relationship with language in the 21st century. Television and computers have begun to shape our cultural reality, leaving the printed word to become an antiquity. I have produced a plaque to commemorate this pivotal moment in time and culture where we stand with one foot in the old world and one planted in a new digital age. Last November I exhibited my work, along with 6 other Falmouth students, at Centrespace Gallery in Bristol. We did all the fundraising ourselves and organized and curated the exhibition independently from our course. The whole experience and the feedback I received afterwards has been invaluable in my development as an artist. I have also had work shown in several exhibitions in Falmouth itself, where I am currently in my second year of study. Next year I will be applying to the Royal College of Art to study an MA in sculpture.