Daphne patched Toile De Jouy Maxi Slip Dress, Kitri, £221 Stella Nova denim jacket, All Saints, £207 Boots, Dellaware, £249 all from Voisins. Women’s Cat Small Lottie Tote Bag Kate Spade New York, £call, Sister2Sister
Striped Shirt, Ralph Laurent ,£171 Sienna DB Crepe blazer, REISS, £251 both Voisins Sweater with Bunny Design, Benetton, Benetton Jersey Mary Janes, Asos.com Oyster Perpetual Steel with Silver dial, Rolex, £8,000 Daytona white dial, Rolex, £20,000 both Willgrass watches
Sofi Screen Shirt, All Saints, £139 Priya Vest, Rag & Bone, £234 Marianne Ponte trousers, Rag & Bone, £297 Tess Over shirt, Samsøe & Samsøe, £260 all from Voisins. Keepall Bandouliere Bag Monogram Chess Coated, Louis Vuitton, Sister2Sister. Alphabite Button Court Black Patent Shoes, Irregular Choice, irregularchoice.com
Photographer: Oliver Doran Oliver Doran Studio Stylist: Ana Altamirano Makeup: Anais Swann Hair: Damian Philpott Model: Monty De La Haye Video: Chantelle Mundy Production: Tegan Parker
Arthouse Jersey at Capital House / Thursday 21st March
The launch of an exhibition has been the culmination of a year-long learning programme that took place at ArtHouse Jersey and community centres across the island, working with a diverse cross-section of the island’s population. The Land and Us | La Tèrre et Nous is an exhibition of newly commissioned artworks exploring our relationship to the land. Jersey and UK artists are responding to a call for us all to reconnect, prioritise, and protect the island’s precious natural ecosystem. Launch attendees were guided through artworks exploring Jersey’s past, present, and future habitation of the local land through textiles, poetry, sculpture, installation, and photography.
Freeda hosted its annual breakfast event in celebration of International Women’s Day. The event was sold out and kindly sponsored by Intertrust, a CSC company, meaning that all funds raised at the event went directly to Freeda in support of women and children who are victims of domestic abuse.
Freeda’s Patron, Dr. Kyd, attended and spoke alongside Dr. Deryn Evans, Kate Wright from the VAWG taskforce, and Chief Minister Lyndon Farnham. Guest speaker was the inspirational abuse survivor and campaigner, Rachel Williams, who powerfully spoke about her real-life experience and her ongoing work in raising awareness and eradicating domestic abuse.
Emma Pallent packed her my life on an impulse and moved to Hong Kong; here are the reflections of a graduate trying to figure it out.
Moving to Hong Kong was the most reckless decision I’ve made to date. Arguably, since I had just graduated from university, there had not been much wiggle room for drastic error up until that point. Sheltered in the cosiness of the UK education system, I was never far away from family, friends, or a reliable mentor ready to give me advice. All this changed when I left my bubble of boredom to explore the ‘city of contrasts’ where ‘East meets West’. I was disillusioned with quiet island life, and this shiny new plan was one that promised I would be far away from home. The move was a heavily romanticised idea, and before I knew it, I was hooked.
I was never actually meant to be going to Hong Kong. The post-uni plan for the past two years had been to spend half a year volunteering in New Zealand. This plan was deemed safe by my parents, who saw the place as a brighter UK on the other side of the world. However, after working the summer under the sun, I decided that the meaning of life was simply to enjoy it and have fun. Suddenly, slogging it out to help some poor people became a lot less enticing. So when the sun began to distance itself from my slice of paradise in the Channel Islands, my mind began to devise an escape route. My best friend from uni had secured a corporate job in Hong Kong, and I had previously booked my flights to New Zealand with a long layover in the city to see her. I’m not really sure when the idea of me joining her permanently moved from a vague idea to a concrete reality. All I know is that within a month I had moved my flight to Hong Kong forward, found a flat, secured a visa with employment and gained a TEFL qualification. It happened so quickly that I hardly registered I’d moved halfway across the world by the time my plane landed in Hong Kong airport. I was in such a rush to be anywhere but home that I had spontaneously committed to living for a year in a country totally different to the one I had originally planned to go to and in a continent I had never travelled to before. I remember people looking at me a certain way when I told them I was going, like I was doing this strange thing that they would never do. And I remember being confused, because I didn’t think it was a big deal at all. And this was because I quite literally hadn’t thought about what I was doing. At all.
Usually, when jumping into my ill-thought through plans, I had faced cold-water shock from being plunged into the consequences of my spontaneity. However, this was a whim that shocked me with how little it shocked me. Despite the horrific humidity, the place felt entirely comfortable. It actually felt like the city was home, and the prevailing feeling I remember is one of relief. In some ways, it was relief that I hadn’t regretted my decision, but mostly it was relief that I was finally far away from home. For the past few months I had felt desperately in need of space- space to think, to breathe, and to be my authentic self away from a community who saw me under the veil of past versions of me. It was an itch I had scratched by running halfway across the world to a place where no one – bar one person – knew me. And truly, in those first few days, I felt overwhelmingly free.
This euphoria turned out to be short-lived. Space evolved into loneliness and the city that had given me a sense of freedom now served me a platter of difficulty and entrapment. I quite literally disdained being a kindergarten teacher, and the job that I had thought would be a doddle actually turned out to be the hardest job I had ever done. I had no idea how to discipline kids (nor myself, for that matter), and could not communicate with any of the other Cantonese teachers in the classroom. I was launched into the role without any training or guidance, and I remember being told the topic of an English lesson seconds before I was to deliver it. Literally sweating from adrenaline, I stood in front of a classroom of three year old’s who stared blankly at me as I tried to get them to phonetically pronounce the letter ‘h’. It was an absolute nightmare, and a day was considered a success if the kids had not broken any classroom furniture or physically attacked one another. I awkwardly sung nursery rhymes at children, whilst their parents tried desperately to get them to participate.
I made every professional mistake a teacher can make in front of parents, carers and colleagues. I was in such a fluster one day on a field trip that I accidentally led a whole group of parents and students to a peacock enclosure when they had asked me to help them find the rabbits. I didn’t even realise my mistake until the headteacher came over to me and asked whether I knew what a peacock was. Panicking, I pretended I had never seen the exotic animal before, and completely ditched my group to feel dejected under some shade.
Those first few weeks of work felt like an eternity, and I found myself desperately wishing to be back where I had come from. I debated handing in my notice multiple times, but with no money and rent to pay I wasn’t in the financial position to risk a period of unemployment. My notice period was two months, and on days where I felt like bolting, this seemed like an eternity. It was the first time in my life where I had signed contracts and legally committed myself to things I couldn’t just run away from. Used to working under the obligation of zero hours, my salaried job felt like a prison of responsibility, and this burden made me feel miserable and trapped. I still loved Hong Kong, and was totally inspired by the culture of the place. But my job rarely gave me more than one day off a week, and I found most of my time passed in windowless classrooms with screaming, uncontrollable kids.
It turned out that the place where I’d run to avoid difficulty was the place I was forced to confront it. The funny thing is, looking back, I am so grateful that I found it so hard. Being trapped in a situation I wanted nothing but to escape from forced me to adapt and change. I had to grow up in a situation that felt much bigger than myself, and if I hadn’t experienced this struggle, I never would have known the fulfilment that came with overcoming it. As the days went on I realised I was beginning to love the kids that I initially found frustrating, and learnt that the difficult ones were only acting up due to a lack of affection. I discovered that the kids became much more disciplined when they were given attention rather than detention, and my classroom warmed as I grew alongside the children. I learnt to trust my instincts, and that honesty and compassion could get me through most of the trials I faced from day to day. I began to love my work, not because I found it enjoyable, but because I found it fulfilling. I saw that I was really making a difference in these tiny people’s lives, and my heart felt light when I saw their little faces light up at the school doors in the morning. I was glad that my classroom had become a place they could feel safe and loved away from home, facilitating an environment where they could practise showing kindness to one another.
I knew that I was their teacher, but there were times when it felt like the kids had taught me.
Over time, the job got easier, and I felt the burden of my employment lifting as I went further into my comfort zone. But the initial relief I felt from this improvement was short-lived, and compensated by an unexpected sadness. In the absence of an everyday trial, a hurdle I could tunnel vision on, I was forced to look around and observe my reality. I was thousands of miles away from home, with only one long-term friend. I now valued personal development over personal enjoyment, and felt like I was drifting in a career I did not aspire to. After training myself to face difficulty straight on, I became passionate about pursuing my real dream of being a writer. However, I was stuck in a country that rapidly required suitable candidates to have proficiency in both written Mandarin and Cantonese. Having neither of these skills, doors were shut on me before I even had the chance to introduce myself. I slowly faced the realisation that aside from the best friend I came with, there was no reason for me being in Hong Kong anymore. In addition to this, I craved the company of the friends and family I’d left behind. I missed people I had never particularly liked, and no longer felt an aversion to those
I previously needed ‘space’ from. It was the absences around me that made me realise how lucky I was to have had what I had, and my time left in Hong Kong stretched out in front of me like a looming prison sentence. On top of all this, I felt like I had failed, and was too ashamed to tell people how lonely I was. It all seemed like one big mistake, an impulse that had evolved into disaster, a giant web I couldn’t untangle myself from.
But it wasn’t a mistake. Yes, it was reckless. Yes, it’s not an easy situation to get out of. And yes, the consequences have been really difficult. If I had not had a best friend to cry and drink cheap cabernet with I can confidently say it would have been unbearable. But if I had the choice again, knowing what I know now, I’d still put myself through hell in a heartbeat. Screaming children and all. Life chucked me overboard and into the storm, but with stinging eyes and a mouthful of seawater I managed to emerge above the surface. To have had the opportunity to get everything wrong, learn from it, and come out a different person is a privilege I’m extremely grateful for. And so ironically, the place I ran away to has led me back to where I came from – home, at least for a little while.
SaSo Strategic Advisers has announced the promotion of Euan Spencer to Associate Director. Euan joined SaSo Strategic Advisers in January 2020, having previously held an internship at the Jersey branch of a multi-national private investment bank. Before this, Euan was a Relationship Manager for a Fintech company based in Jersey.
In terms of qualifications, Euan earned a BSc (Hons) in International Financial Services from the Jersey International Business School and has successfully completed the Chartered Institute of Securities and Investments (CISI) Investment Advice Diploma (IAD) qualification. He is also a member of the International Compliance Association. Garry Forbes, Managing Director of SaSo Strategic, said about Euan’s recent promotion,
“Euan has been with SaSo for four years now, and we have all enjoyed seeing his development progress over these past four years. Euan is a real team player with a great can-do attitude and is a fantastic asset to SaSo. This new role recognises Euan’s ongoing commitment to providing quality financial advice to SaSo’s Channel Islands-based clients and his contribution to the business’s ongoing operations. Euan demonstrates a strong commitment and focus to the SaSo brand and has a significant amount to offer SaSo in the future.”
Euan has also been promoted to the Investment Committee at SaSo Strategic Advisers, which oversees the Discretionary Investment Management service for their 500+ private clients across the Channel Islands.
This appointment formalises Euan’s input to the Committee to date and allows him to start actively participating in the discussion and framing of future Investment Policy for SaSo Strategic Advisers.
Euan has enjoyed helping JRFC win two consecutive promotions to level 5 on the English rugby pyramid system, which has involved many away matches in the Hampshire area and the well-attended home matches at St Peter.
Giles Robson on the blues, and their reflection of ‘us’.
Giles Robson is a multi-award-winning, internationally recognised blues harmonica virtuoso, singer, and showman. He has been described as “a blues giant, absolute master of the form” by Alligator Records and is the only UK or European artist to appear on this legendary blues record label. He is widely considered one of the greatest living blues harmonica players, and his albums feature in the critic polls of the world’s most prestigious music magazines. I asked Giles about the inspiration behind his craft, as well as the many twists and turns that have led him to where he is now.
If it were not for an unforgettable school trip to Toledo, Giles Robson may not have become the “blues giant” he is internationally recognised as being. At the age of 14, Giles already had experience playing both the violin and saxophone. He left the former in pursuit of the latter after discovering a passion for ‘Big Band Jazz’. However, this newfound love could not hold his attention, and he abandoned horn riffs and swings in search of the raw intimacy of the blues.
For Giles, it was love at first sight in the streets of Spain. Swept up in the whirlwind of it all, he brought home a harmonica, and began a musical love affair that characterised the rest of his life. In an uncanny twist of fate – or destiny – the week he returned to Jersey was the week Cephas & Wiggins, an African American blues duo, played at the Arts Centre. Reminiscing on this turn of events, Giles recalls that “seeing the real thing live so early set me on my course”. And what a course it was – the harmonica player ended up on the same record label as this inspiring duo 24 years later.
Since then Giles has become an internationally recognised blues player, and has been accredited with being “one of the finest blues harmonica virtuosos in the world”. He tours over fifteen countries a year and works with some of the most legendary figures in the blues music scene. He won the Blues Music Award in Memphis for best acoustic album, which then became the Living Blues album of the decade. He sold out 10 nights on the Edinburgh Fringe, and has been supported by the likes of Sir Mick Jagger, Billy Branch, Joe Louis Walker, John Primer and Sugar Blue. Commenting on these partnerships, Giles expressed that when he “hits the stage with one of these musical legends, and we achieve a strong musical connection that overcomes age, race and social differences, we create musical magic for the audience. This makes me feel profoundly blessed and grateful”.
It is the performance aspect of the blues that has ensured its survival in the modern day music scene. Whilst most other genres are consumed via track recordings, the blues are a testament to true, ‘living’ music. The community aspect of the genre is its defining one, and whilst other styles use live events as advertising for their records, Giles remarks that “the business with the blues was always live concerts, with the records being advertisements for the shows”. For the avid consumer of blues, streaming a track offers only a layer of the music – soaking in a live performance is what provides the full shebang. The genre’s fixed structure makes it instantly recognisable to any listener, a familiarity that allows Giles the pleasure of “building up an incredible amount of audience sympathy and trust almost immediately”.
“They know where each song is going, and as such they become entranced throughout an entire show. That’s pretty miraculous, and keeps people coming back for more. It is the repeating custom at concerts that keeps the genre alive and well.”
Memphis Slim, an inspiration of Giles Robson’s, said that “if you take one step towards an audience, they will take two steps towards you”. It is a mantra that rings true to Giles’ experience, where he has facilitated intimate audience conversations all across the globe. It’s what he tries to do in all his shows, to “really engage and have a relationship with the audience”. Whether its in a bar in Moscow or a show in Mississippi, “the genre is equally understood across the world, even between places and people who couldn’t be more different”.
“We are living in divisive political times, and art and music are one of the great unifiers of people”.
This relational sentiment applies equally to the musicians on the stage, and Giles has commented on the powerful feeling of performing alongside other half, Robbin Kapsalis. Speaking of this intimacy between him and the beautiful alto singer, Giles expressed that “it’s always magical getting to work with Robbin as the deep connection we have translates really well into a powerful on stage call and response. This could only happen with the blues. Other types of music, with more fixed structures and less of an improvisational aspect, wouldn’t facilitate this kind of onstage magic.”
Despite accumulating a lifetimes worth of achievements, the blues are not done with Giles yet. When I asked him about his plans for the future, he revealed that he is currently concentrating on his upcoming shows “Up Close with the Blues”. These ticketed events are for audiences of only 35-50 people.
Commenting on his decision to play for smaller audiences, Giles disclosed “whilst most musicians want to make their living by playing to as many people as possible, I want to make my living playing to as few people as possible”.
For Giles, it is the intimacy of the blues that “creates wonderful atmospheric evenings”, and these smaller gatherings are his self-professed “sweet spot”. Those in Jersey can find him playing in venues such as Sumas Restaurant, The Porter’s Store and The Blue Note, as well as many other places across the island.
Memphis Slim nicknamed the blues ‘the truths’, a statement that reverberates down to the genre’s roots. It is why the blues has permeated into every aspect of the modern day; they are a testament to the hard realities of human existence. By celebrating and singing through both joy and suffering, the blues “look trouble straight in the eye, laugh, and then allow you to live and fight another day”. The age-old tunes accumulate in the soundtracks of our lives, providing catharsis in the face of heartbreak, adversity and grief. They are ultimately “a music of survival… based in real life experience”, and if the past can tell us anything, the genre is here to stay.
Giles appears at The Porters Store on 25th April and the Blues Festival at the Havre des Pas Lido on May 26th.
Gallery Fashion April 2024 //Photography and styling Danny Evans // Model Tabitha
Jacket by Herzen’s Angelegenhiet £269.00 from Renaissance Boutique. Shirt by Halebob £399.00 from Renaissance Boutique. Jeans by Marc Cain Sports £149.00 from Renaissance Boutique. Sneakers by DATE From Manna. Jacket by Herzen’s Angelegenhiet £269.00 from Renaissance Boutique. Shirt by Halebob £399.00 from Renaissance Boutique. Jeans by Marc Cain Sports £149.00 from Renaissance Boutique. Sneakers by DATE From Manna. Blazer by 2ndday £260.00 From Manna. Hooded jumper by Absolute Cashmere £295.00 From Manna.
Shirt by Baum Und Pferdgarten £169.00 from Manna. Jeans by Smith&Soul £95.00 From Manna Shoes by Michael Kors £129.00 from Voisins. Shirt by Samsoe Samsoe £153.00 from Voisins. Trousers by Samsoe Samsoe £171.00 from Voisins. Bag By Gustuz From Manna Shoes by Michael Kors £150.00 from Voisins.
Blazer by Purotatto £359.00 From Renaissance Boutique. Trousers by Purotatto £239.00 From Renaissance Boutique.
I saw an Instagram reel the other day where the aspiring parent-influencing content creator claimed that holidays aren’t holidays once you have children; you just spend time looking after your kids in a different location. I suppose that’s true, to an extent. Regardless, like many islanders with children, we hot-foot it onto a ferry or plane at half term to make use of those precious moments away from the school run. I’m finishing up this edition while being asked what’s for dinner, but in France. Magnifique.
Being able to work while you’re away is both a blessing and a curse. My wife will tell you that it means you never really relax, but I like to think of it as enabling me to professionally have my cake and eat it. Sure, it means chasing up content for whatever publication or project I’m in the middle of while trying to organise a fun-filled holiday day, but being away from the island provides valuable context and perspective. I’ve always secretly derided people who complain about having to ‘get off the rock’, as I’ve always felt Jersey is such an amazing place. I’m proud to call it home, and I felt a desperation to leave, which in some way diminished it. The benefit of context isn’t lost on me, but what they say about absence and fondness does, for the most part, ring true.
This month we feature the work of two talented new contributors, the first of whom is also making these considerations. Emma Pallent moved to Hong Kong on impulse but has been ably assisting us as a staff writer this month, ahead of a potential return to the island. You can see Emma’s work throughout the issue and learn about her on page 18. Emma’s feature was designed by a recent graduate in Graphic Communication, Jasmin Blair, who is back in Jersey taking stock as she considers her next career move. As with many students who return home after Uni, it’s that moment of deciding whether now is the time to make the island home, or whether the lure of the rest of the planet is still calling. With her excellent portfolio, we’re looking forward to featuring her work, wherever she chooses to base herself.
We feature our usual gallery of interesting islanders throughout this edition; all are passionately island-focused, and many bring a wealth of talent acquired over a career travelling the globe. Ultimately, it’s great to get away, but it’s always great to come back, and seeing skilled people bring worldly experience and skills home is brilliant to observe and share with you. I hope you enjoy it.
The Land and Us | La Tèrre et Nous is an exhibition of newly commissioned artworks exploring our relationship to the land. Jersey and UK artists are responding to a call for us all to reconnect, prioritise and protect the Island’s precious natural ecosystem.
This family friendly exhibition guides viewers through artworks exploring Jersey’s past, present and future habitation of the local land, through textiles, poetry, sculpture, installation and photography. Travelling from our ancient neolithic past, when the land was a sacred site of ritual, through our farming traditions, oral histories and earthly language of Jèrriais, to our woodlands, indigenous species and pathways that encircle the Island, The Land and Us is a place to gather and reflect on the natural world.
Developed by ArtHouse Jersey in collaboration with local artist Alexander Mourant, alongside partner artists, Hannah Fletcher, Remi Graves, Alice Burnhope and Sam Carvosso. This exhibition is a culmination of a year-long learning programme that took place at ArtHouse Jersey and community centres across the Island, working with a diverse cross section of the Island’s population.
Meet The Artists
Alexander Mourant
Alexander Mourant is a Jersey born artist, educator, curator and writer based in London. He is a Lecturer in Photography at Kingston University. His practice and research centres on photography, writing, performance and sculpture, with a particular interest in the legacies of agriculture, Land Art and Arte Povera. Alexander ran an experimental sensory drawing workshop with EYECAN which culminated in a large collaborative collage on display within the exhibition. The artist then developed a new touch artwork, A Tree Draws, where segments of the collaborative collage were etched into wood from a tree felled in Jersey due to natural causes. You are invited to touch and feel the sounds, memories and journeys of nature. For the exhibition, Alexander has created a new sculpture, An Image That Holds Its Heat. The artwork abstracts an original photograph depicting the effects of the weather upon a tomato crop (September, 1963), courtesy of the Jersey Evening Post Collection at Jersey Archive. This ghostly structure takes the form of a Victorian cloche used for protecting and growing vegetables, and questions the legacy and future of farming in Jersey.
Remi Graves
Remi Graves is a London based poet and drummer. A former Barbican Young Poet, their work has been featured on BBC Radio 4, at St Paul’s Cathedral and in various anthologies. Remi’s debut pamphlet with your chest was published in 2022 by fourteen poems. Remi’s commissioned poem, a well worn path, was inspired both by their walks in Jersey and the change in seasons, both weather wise and socio-politically. A well worn path charts both the beauty of our natural world whilst not oblivious to the harshness, grief and violence also present there. For The Land & Us | La Tèrre et Nous Remi’s workshops centred around a shared experience of a walk in Greve de Lecq woods led by creative exercises that leant on sensory experiences, memories, and an invitation to listen to one’s surroundings. Thanks to the various languages in the room and openness of participants, the exhibition features two collaborative multilingual poems in English, Jerriais, Tagalog and Zulu as well as a collection of individual poems featured within a book.
Alice Burnhope
Alice Burnhope is an award-winning textile artist and educator. Specialising in socially-engaged artwork, Alice collaborates with the public to co-create immersive installations, sculpture and wearable art, fostering their wellbeing and deepening their connection to nature. Stone upon Stone is a large soft interactive sculpture made in collaboration with a diversity of six community groups where Alice ran natural dye and embroidery workshops onto waste fabrics with opportunities for people to come together and learn new skills. The final colours and forms are inspired by Alice’s passion and observations of Jersey’s geology and the many dolmens across the island that she visited. Stone upon Stone is interactive and invites people to go back 6000 years and become our neolithic ancestors through building and recreating their own dolmen.
Hannah Fletcher
Hannah Fletcher is an artist primarily working with photographic materials, matter and methods. She is the founder of Sustainable Darkroom, a not-for-profit dedicated to creating a more ecological future for photography. For The Land & Us | La Tèrre et Nous Hannah worked with Hautlieu school students and local land and sea foragers and growers to gather and create work from Jersey’s land. A Moment Of Gathering, is an installation tablecloth and sound piece which looks into Jersey’s cultural usages and relationship with Vraic to consider wider dynamics between sea, land, farming and foraging on the Island. You are invited to sit at the table to study local specimens and to listen and engage in the dialogue around the table.
Sam Carvosso
Sam Carvosso is an artist working across sculpture, drawing, video, and installation with a research-led focus. Informed by trips to National Parks, nature reserves and forests, his practice considers the creation and perception of landscape, with a particular interest in wild spaces. His artwork Jersey Coastal Path is a reflection of his time spent in the landscape during a five day residency and hike observing, listening, recording, writing and making temporary artworks in the landscape such as sundials. You can follow his journey in a pathway installation throughout the gallery with a series of sculptures developed from his observations. This includes moss and plaster sculptures where he worked with Highlands Arts School to cast directly from nature and a sun-dial influenced by a temporal artwork created with Youthful Minds. (Mind Jersey).
Alex Ruddy, Director of Oben Regulatory and Chair of Jersey’s Institute of Directors Industry Sub-Committee sits down with us to explore why being a mother hen has made her a better business woman, and why she is compelled to give back at this stage of her life to create a better tomorrow.
When I was younger I wanted be Nancy Drew, she was my absolute idol. A go-getting woman who solves mysteries and who was intelligent and courageous! But rather than go down the super sleuth pathway, I decided a career in law was for me and so studied this through University. Like most things, this didn’t entirely go to plan, as I quickly realised I would be too emotional to practice family or criminal defence law, so I drifted into an accountancy career which brought me to the island of Jersey.
In my youth the island felt hugely claustrophobic and I was immediately desperate to qualify so I could leave. But as my exams ticked past, I started to settle and then married and welcomed a family. Now I look at the island in awe, a small jurisdiction that can be dynamic and nimble and set a shining example of good business practice. It is also a wonderful balance between a thriving metropolis and the soul-soothing cliff paths and beaches that makes me feel grateful to live here.
With three small children under my belt and working in forensic accounting (very Nancy Drew!) it all just felt like a lot, so I took a career break and followed my husband’s job to the Isle of Man where we spent three years. During this time, I did feel like I’d lost a lot of my identity and was eager to find something to drive me once more. Unknowingly, I became what I refer to as a ‘professional mum’. Expert cake-maker, parent governor, PTA enthusiast with a sprinkling of bespoke consultancy work on the side to keep my hand in. Even then, my mother-hen attitude saw me want to give back where I could to help others.
This burning compulsion to get involved continued on my return to Jersey and saw me set up Oben Regulatory, where we advise on corporate governance and regulatory framework, often helping businesses out of dilemmas. I also sit on the IoD Committee, the Board of Victoria College and organise the Run for Kezia following the loss of one of my daughter’s friends to suicide. Wellbeing is of high importance on my agenda, from teaching it in schools to practices in the workplace and beyond. We need to protect our young people and give them a voice, since they are our leaders of tomorrow.
My children are my inspiration. Hugely driven, with a daughter who is going big places and is so passionate about all that she does, especially raising awareness of Lupus for those on island. A son who has overcome enormous adversity and is a great example of resilience. I had two children on chemotherapy at the same time and it was amazing to witness their use of humour with each other carry them through the worst of it. All three of my kids are extraordinary in their own way and they drive me to make the world a better place.
Facilitating women back into the workplace after motherhood or a career break is another area where I want to help more. I want women to see that they can have it all and balance a home life and a career, pursuing their passions and finding assistance and support when and where they need it. The IoD is a community of inspirational women that holds the power to encourage women to achieve their goals and we are working hard to inspire not just new mums back into work, but younger girls to broaden their horizons too.
To stay ahead in business you have to evolve with the times, adjusting to digital and technological advances and changing demands placed on organisations. Collaboration is key in this race, so working panels and committees are an important part of my world. I try to explore the issues that face all sectors on the island and provide a voice to Government so we can look at joint solutions for one and all. I am often overwhelmed by the kindness of the Jersey community and how many want to give back for the greater good, but there is still a lot more that could be achieved by people recognising their strengths, skill sets and the amazing difference they could make. If we could all contribute just a little bit of our time, Jersey would have a really bright future.